Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Friday, June 28, 2013

My Mentors Interview Series: Effy Wild


As an artist and art instructor, I am extremely grateful for those teachers who have inspired, encouraged and supported my development as an artist. I am thrilled to have the opportunity to share this interview with you.  I have been taking classes with Effy Wild for a year now. I started by taking Book of Days her art journal course.

(Keep reading for a video and the giveaway!)

Tammy Dial Gray (TDG): Welcome Effy Wild! I am so glad to have you with us today!
Effy Wild (EW): I am so excited to be here with you!
TDG: Effy Wild, I know you as an art instructor, community builder, painter, writer, and a keeper of art journals. Why are these practices so important to you?

EW: Ever since I can remember, I have longed for ways to express what was happening inside myself. For many, many years, I was a writer and built community around poetry and creative prose. I developed a horrible case of writer’s block after a very traumatic family crisis (addiction hit our family full force), and in my attempts to unblock myself, I discovered art journaling. There was something so satisfying about expressing myself *without words* and after taking every class I could get my hands on, it morphed into my primary mode of self-expression rather than merely a way to ‘unblock’. I was so excited about what I was learning, both about art journaling and myself that I *had to share*. It’s in my nature to grow communities around the things I’m passionate about. I’m a bit of an evangelist that way! So when I knew how effective art journaling was, how amazingly healing ART was, I reached out. I shared. And I’ve been lucky enough to see the growth and expansion of one of the kindest, most amazing tribes I
've ever been a part of!

TDG: I am blown away by  your approach to creating art journal pages  They are so much more than a "pretty page." How has the practice of keeping an art journal helped you on your personal journey?


EW: I am a survivor of severe childhood trauma. While writing was always a helpful way to come into awareness about what was ‘now’ and what was triggered past stuff, I didn't find it very helpful in terms of changing the patterns I was uncovering. Art feels magical to me in that the effort that goes into creating an art journal spread seems to set change in motion. It seems to communicate with a deeper, more powerful part of my ‘inner committee’ that can actual act on the wisdom I glean from my art practice. Where before I had years’ worth of morning pages (written journals) all complaining about the same patterns and behaviors, now I have art journals full of tangible proof of how much I’ve changed. Since I began art journaling, I've got from a sense of purposelessness to a sense of vocation. I've gone from a deep sense of loneliness to being surrounded by an incredible tribe. I’ve gone from accepting crappy treatment in relationships to standing up for myself and demanding respect (or walking away when it isn't forthcoming). I've gone from desperately wanting everyone to like me (which does remain an issue for me) to learning how to self-love rather than seek love outside of myself.

Art journaling seems alchemical to me. It seems to allow me to take the dross of every day and spin it into the gold of personal empowerment, meaningful work, self-awareness, and authenticity. It also keeps me so busy that there’s little time to spiral into depression, which has been a huge boon.


TDG: A profound lesson that you demonstrate is "showing up to the page" which is a technique you use in collaboration with your process of layering. Through the  process you teach of layering and listening to the self, I learned that while I might not know where I was going with a page when I started, an unfolding of my heart and soul happens as I participate in creating the work. You teach us how to "find ourselves" on the page. It almost feels like the layers of my page are like the outer layers of an onion and as I put the layers down, I get closer to what my heart and soul are aching to express. Can you speak to how this process works for you and why you find it so important to meet yourself in your work?

EW:
I refer to this process as ‘reverse excavation’. Even though you are building layers up on the page, it actually feels like a kind of archeological dig. As I layer, I am actually ‘digging in’ and going deeper, uncovering my own inner wisdom. Digging deeply into the stuff beneath whatever is going on with me is something I’ve learned to love to do even though it is often painful. I believe that you can’t heal what’s hidden. I believe that shadow stuff (Jungian) needs to be gently dug up and brought into the light before it can be effectively dealt with. In digging it up, layer after layer, I am bringing shadow into light. There’s another benefit to this – especially since I do a lot of this on camera for my classes – and that is that my shadow stuff gets *witnessed*. This witnessing shines a light on the shadowy places. It is an incredibly healing activity, even when healing isn’t my intention.

TDG: Another profound "take away" I have relearned from you is the art of the reframe. I was so in awe when I saw you work through your personal challenges and reframe situations. It is a life skill that is life changing. How would you describe a reframe and how did you develop this talent as a part of your personal practice and can you speak to how it impacts your art?

EW: The reframe is a process of turning something that feels like dead weight or negative ‘stink think’ – a belief or situation that is just full of yuck – and turning it around. I learned this from Julia Cameron’s “The Artist’s Way” in which she advocates turning every negative thought we have or write our morning pages into affirmations. While I’m not a huge fan of affirmations as a healing tool because they feel a little too much like faking it, I do find it effective to find *what is true* in any given situation, and focusing on that. For example, if I’m working on my journal and a thought or image comes up that is just not helpful (like “This really sucks” or “I am so tired of being mistreated” or “I wish I could get a handle on my emotions”, I will work to reframe it so that I am working with a positive, helpful statement instead of a negative one. “This really sucks” might turn into “Challenges Grow Me In Strength” – which is absolutely true, right? And totally affirming. “I am so tired of being mistreated” might morph into “I am worthy of excellent treatment”. True! “I wish I could get a handle on my emotions” might seem like an okay goal to have, but it is actually kind of self-shaming. My emotions don’t need ‘handling’. They need respecting, so I might reframe that statement into “I let myself feel so I can heal…”

This is a skill I've demonstrated often in Book Of Days since I am a walking minefield of negative self-talk, but I have found my crappy old tape really winding down over the last few years, and I find I need the reframe less and less often. Helpful, positive thoughts come more often now than the negative, unhelpful ones and I attribute this change to my art practice.



TDG: One of the ways that you describe yourself is that you keep things "real." I have certainly found that true as you have allowed yourself to be vulnerable within your community by sharing what is going on with you. I find that this correlates beautifully with your method of creating an art journal page. On camera you have shown us what to do when a page goes through awkward stages or something just doesn't look quite like you want it to. I have found it extremely helpful to learn from your methods of recovering a page and from coming back from a personal challenge. How did you find the courage to be so human and real in your work?

EW: I grew up in a family for whom the appearance of things was far more important than the underlying reality. This was incredibly traumatic for me, since I was always highly sensitive to hypocrisy and injustice. Even at a very young age I was infuriated with the way ‘how it looked’ seemed to take precedence over how it really was. As a survivor of abuse, I was steeped in ‘don’t tell, don’t feel’ messages. When this messaging became truly toxic in my early twenties (I was in an abusive relationship), I began (slowly but surely) to break free. I began to use my voice, even though it was dangerous. I began to talk and tell and feel out loud. This was absolutely the only way I could begin to heal, and so I model that in my work and my life as best as I am able. Does it take courage? Yeah. It does. Being this vulnerable in a place as scary as the Internet can be, in a place where people feel free to be hypercritical and even mean and insulting is *terrifying*, but it is also incredibly gratifying to see the impact of my ‘real’ on others, so I can’t not do it. Courage is feeling the feel and doing it anyway, so yeah. I’ll claim courage as one of my super powers.
J


TDG: What do you find rewarding about your art practice and teaching? What is the compliment or feedback that has touched you the most?

EW: I work primarily with women, and while the financial rewards are certainly nice because they help me feel financially sovereign for the first time in my life, what really rocks my socks is watching women step into their own personal sovereignty. I get so many letters from women who see themselves in me and because I’ve been brave enough to reveal shadow stuff, THEY feel brave enough to reveal shadow stuff. Wounds heal. People change their very LIVES as a result. I get to facilitate that? ME? That’s crazy affirming and rewarding, and while I know THEY are doing their own work, I also know that I modeled the work they are doing. Sometimes all we need is permission. Sometimes permission comes in the form of witnessing someone else doing what we know we need to do for ourselves. It is a calling I am so grateful I answered. It is second only to parenting in terms of meaningful work. Watching women come into their own is the very best feedback I could ever ask for. Ever. And that women trust me with their shadow stuff (mostly in private letters and messages) is the greatest compliment I’ve ever received. Ever. Bar none. The trust placed in me by my tribe is better than any accolade I could ever imagine receiving.


TDG: I know the next session of BOD is open for registration, now. Can you tell us about BOD and what participants can expect in the program?

EW: Book Of Days is an 18 week immersion in the art of self-inquiry and memory keeping through mixed media art journaling. For the duration of the class, students get lots of instruction and art journaling demonstration designed to inspire them to fill up their own ‘Book Of Days’. Each week, I deliver three videos: A discussion video in which I muse on my process, supplies I used or discovered, techniques I am loving, a “Book Of Mirrors” video in which I demonstrate doing inner work in the journal, and a “Book Of Days” video in which I demonstrate memory keeping in the journal. The videos are meant to be watched for inspirational purposes, but the real meat is in the doing. To that end, I provide challenges, journal prompts, and constant, tender hand holding in our Facebook Group. The class also includes an additional four week Boot Camp in bookbinding, and art journaling 101. Boot Camp on it’s own has been called ‘worth the price of admission’, and I agree. It is jam packed with instruction that, once taken, will lead you to a healing, fulfilling intentional creativity practice. You can expect fun, deep digging, gorgeous spreads, new skills, confidence, sharing, sisterhood, and a lot of love & glitter.
TDG: Are there any other offerings that you would like to share with us?

EW: I’m teaching in Life Book 2013 this year, and my lesson on turning on your heart light goes live in August. (http://tinyurl.com/effyinlifebook). I am also doing a HUGE GIVEAWAY for a seat in BOD2013 Session Two!  (Please see the video below.)

TDG: Thank you so much for sharing yourself and your work with us here today. I honor your impact in my life.

EW: Namaste, lovely Tammy! Thank you for your thoughtful questions!  

Effy has a GIVEAWAY and a sample of her class here.  

Please visit Effy using the following links:

Wednesday, May 22, 2013

"Fantasy Forest" 18 x 24 Intuitive Painting

"Fantasy Forest" Intuitive Painting by Tammy Dial Gray
This week I played with layers and layers and feelings that bubbled to the surface.  I thought about connectivity and abundance, history and ecology and thought deeply about how these ideas have been represented in animated forest scenes such as the movies Avatar and The Secret of Kells.  This painting is what developed from those reflections.

Here is a more detailed shot:
Close Up of "Fantasy Forest" an intuitive painting by Tammy Dial Gray


You can read more about this piece here


Friday, May 17, 2013

"His Gift" Acrylic Abstract on Canvas

"His Gift" Acrylic on Canvas Abstract Art
I recently purchased a package of 20 canvases.  I have never had this many blank canvases at one time.  They only thing I had in mind when I bought them was that they would be colorful, textural and meaningful.  Most of the art I purchase is abstract spiritual art.  So, I asked myself why I wasn't creating more art along those lines.  This is what resulted.  The first canvas out of a box of 20.

Currently, it is adding brilliant color to my home and it will be in a show on the 28th.  However, it is available if you would like to have this piece in your home.

Thank you for stopping by!

Wednesday, April 3, 2013

When you smile, the stars dance in their heavens.

When I had the joy of opening up the Shooting Stars Stencil package from Artistcellar and playing with it in my studio one thought kept returning to my mind. It wasn't as much an image as it was a sentiment. When I look at the Shooting Stars Stencil it looks to me like the stars are dancing. The sentiment I kept thinking of was, "When you smile, the stars dance in their heavens."

After much thought, I realized that I wanted to make others smile. So, I sketched out one of the things that makes me smile. A dog, and a smiling dog is even better. :)

I used my regular sketching pencils and Bristol Smooth paper. I thought this dog's smile could put a smile on a young child's face. So, I decided to keep with the whimsical theme and paint my dog in bright colors.

For this 12 x 12 wood panel I used, Silks Acrylic Glazes, bleeding tissue paper, Shooting Stars Stencil, black pens, white pens, gesso, gel medium, home made Silks Acrylic Glazes Spray Paints (the tutorial is provided below,) punchinella, and white acrylic paint.

 The truth is...When you smile, the stars dance in their heavens. 

 Tammy Dial Gray  www.facebook.com/ArtistTammyDialGray

Sunday, March 31, 2013

Liebster Award and Blogs for You to Enjoy

This lovely Easter evening I discovered that Sumaiyah Dymonz Yates had gifted me with an award from her blog.  I am so grateful and am delighted to take this opportunity to share some blogs with you. 


ABOUT THE AWARD 

This award was designed to be a blog award in the pay it forward fashion. Once you've been nominated, you award it to five blogs that you like that have fewer than 200 followers, to encourage new visitors to visit these blogs. 

RULES FOR ACCEPTANCE 

Thank the person who gave you the award and link back to their blog. Post the award onto your blog. Give the award to five bloggers who you appreciate that have fewer than 200 followers. Leave a comment on their blog letting them know that you have given them this awesome award!

Friday, March 29, 2013

Good Friday


Good Friday is a hard day for me as a Christian.  It is the day I remember that my sins cost the world and ultimately my Savior a lot of pain.  Even though I usually remember this day rather quietly, the pain of it is with me.

I created this simple piece as I processed the pain of Good Friday.  I wanted to show the darkness of my sins and the pain that they cause.

The process I used is as follows:

1. I mixed Sunshine and Spicy Tomato Silks Acrylic Glazes and painted the entire piece of water color paper.  I let that layer dry.

2. I used a Stabilo black pencil to outline the image of the cross.  I decided to not make the cross a precisely lined image as the very point of the piece was my imperfection next to God's perfection.

3. I then used a palette knife to drizzle Golden Tar Gel all over the piece.  I let that dry.

4. Next, I used Golden Black Gesso and painted the entire piece except the cross.  I quickly wiped off the gesso from the parts of the piece where the tar gel was applied.  The effect allows the red and gold color of the base coat to come show up through the clear tar gel.  The students in my Mixed Media class said that it reminds them of blood in a special effects sort of way.

5. Finally, I used a damp baby wipe and Viva Decor Inca Gold and went over the cross portion to add highlights to that portion of the piece.

May you feel God's presence and grace with you today and always,
Tammy Dial Gray

Wednesday, March 27, 2013

What? I thought they said it was spring!

I painted this bunny after seeing and adorable photo of a bunny eating a flower.  We have had tornadoes in our area so I wanted a wild Florida sky.  I used the Ripples Stencil and three colors of paint for the sky (Rich Cobalt Acrylic Glaze,  Stewart Gill Byzantia Aegean, heavy body white acrylic paint.  

For the grass and blue flowers I used Stewart Gill Byzantia Acanthus, heavy body white acrylic paint, and Fern Silks Acrylic Glaze with the blue colors listed above and the Cherry Blossom stencil.  


For the color of the orange flowers I mixed Sunburst Silks Acrylic Glaze with Spicy Tomato Silks Acrylic Glaze.


For the bunny, I did an under coat with colored pencils and then used a dry brush and white heavy body acrylic paint.  I used white and black pens to finish off the details.  


Happy Easter to You and Yours!

Jane Girl Happy Easter
 I have had so much fun with the Jane Girls Series Face stencil.  It has been amazing to see so many different styles of faces created with just this one stencil.

For this face, I have enlarged the eyes and stretched out the face some to create a more childlike appearance. I started this project by creating my face using colored pencils and black pens in my Strathmore Visual Journal - Mixed Media.  When I got the face colored and shaded the way I wanted it, I sprayed the page with workable fixative and set it aside to dry.

I painted 140lb watercolor paper using my Gelli Plate and craft paints and let it dry.  I used heavy body white acrylic paint and the Rouen Cathedral Series Stencil and the Tortoise Japanese Geometric Series to stencil over the paint page.

 I cut around the Jane Girl that I had set aside to dry and then used matte medium to collage her onto the page.  I used a dry brush to add some yellow and turquoise craft paints to the page to add interest.  I scanned my page and then added the sentiment using my computer.

I hope this Easter is full of joy, peace, and grace for you and yours! Tammy Dial Gray
  Artistcellar and www.facebook.com/ArtistTammyDialGray    

Wednesday, March 20, 2013

She's Got Style: Mixed Media Canvas


Cat Girl Style Cat Girl Style 1 Cat Girl Style 2Cat Girl Style
I have always liked fashion illustrations. So, when I looked at my Brain Coral Stencil and my Ripples Stencil and realized that the size and patterns of the designs would look great on an outfit for one of my girls,  I couldn't wait to get started on this project.  The first thing I did was sketch out my girl and her obvious companion, a stylish cat.  I used Bristol paper, and graphite pencils to do the sketch work.  I then used a black pen to trace the lines of the Ripples Stencil on the jacket of my girl.  I traced the Brain Coral Stencil on the dress.  I started the coloring process with Inktense and colored pencils.      I continued adding color to the design using Inktense.  I cut out my girl and her cat and used matte medium to adhere them to my prepared background. Some of the supplies I used in my background are as follows: Stencils: Amiens, Ocean Waves, Cherry Blossom, and Seven Jewels. Silks Acrylic Glazes, white pens, gesso, white heavy body acrylic, bleeding tissue paper, gold paint pen, water soluble markers, and workable fixative. Tammy Dial Gray 

Thank you for stopping by!

Monday, March 18, 2013

Now Offering Private Classes

I am now offering Private Classes in both Mixed Media and Intricate Doodles.  The classes will be tailored to your current experience level, schedule and personal interests.  Private classes can be accessed online through a private Skype, Google+ Hangout or Facebook Video chat.  Private classes are also offered in the Gainesville area.  Contact me for additional information and to schedule sessions at TammyDialGray@aol.com.

 https://www.facebook.com/ArtistTammyDialGray


Sunday, March 17, 2013

The Life of an Artist: Overcoming the Artistic Blues

It happens.  Sometimes, it seems to come out of no where and at other times the slump is predictable.  It is that feeling of uneasiness, struggle, and pain that every creative person experiences.

Some things that cause a slump, down turn or serious period of self-doubt:

  • Illness
  • A period of growth in which you are learning but haven't become completely comfortable with your new skill set
  • Perfectionism
  • Negative "I Am" statements such as, "I am not good enough."  
  • I am sure you can add to the list of things that cause these slumps and I suggest that you do write down a list so that you are aware of when you are facing a danger zone.
Every artist faces these painful slumps and obviously some recover from them more quickly than others.  If you are interested in minimizing the negative impacts of a down period here are some ideas:
  • Following an illness try to return to your routine in a modified fashion.  Sometimes, doing too much too fast only prolongs the illness and frustration.  Be positive with yourself when you do get back to creating and remind yourself that if you treat your body well you will get back in the swing of things more quickly.  
  • When going through a growth period where you are stretching yourself also give yourself the opportunity to incorporate skills and techniques that you are already comfortable with.  Take breaks in which you go back to your comfort zone for a specific period of time and then continue on with your learning and experimenting.  Remind yourself that everyone begins somewhere and there is no such thing as wrong in art.  It is all a part of the learning process.
  • Re-frame those negative "I Am" statements.  "I am good enough."  "I have done enough."  "I have something unique to offer."  Use the positive "I Am" statements in your work.  
  • Keep a list of things that inspire you to create.  Some people use Pinterest boards for this.  Resources for getting back into your creative mindset might be: a music play list, a set of favorite movies, online support groups, etc.  
  • Cultivate a positive creative practice.  My practice is to: prep my work space, put on my play list, eat my breakfast, prepare a cup of ice water to keep hydrated while working, turn off the computer, and alert my family that I am going to be occupied.  I even take care of my pets needs before I get started and like so many others, I have a dog bed in my studio so that I can keep an eye on my youngest dog.  In other words, I set the stage for success.

Wednesday, March 13, 2013

Jane Girls: Under the Sea

Jane Davenport Girls Under the Sea for web (809x1024)
I have the entire tutorial including all of the supplies I used available for you at Artistcellar.  I would love it if you leave a comment for me there.  xoxoxox

Wednesday, March 6, 2013

Having Fun With the Jane Girl's Stencil

untitled-7378 forwebWhat a thrill it is to get to work with the Jane Girls Series Stencils. They offer so many options. I have been playing with eye placement, curve of the lips, and hair styles. In this post I show what subtle differences can do to the look of a piece. I used the same colors and supplies in both 8"x 8" canvas pieces.
untitled-7381forweb

In this canvas, I have her eyes looking towards the viewer, have hair on both sides of the neck, have a more subtle background pattern and use a hair band all the way around the face.           In this canvas, the girl is looking more forward, her lips curl more upward, the hair is pulled back and on one side of her neck and the background pattern is more pronounced.

 For these projects I used:
  1. The 3-Quarter Stencil from the Jane Girls Series.
  2. The Star Coral stencil from the Coral Series.
  3. 8" x 8" Canvas
  4. Derwent Inktense Blocks
  5. Silks Acrylic Glazes
  6. Water soluble color pencils
  7. Sekura Koi WaterBrush
  8. Water soluble crayons
  9. White Gesso
Process:
Thank you for checking out my post.  I would love to see what you are doing with Artistcellar stencils. Tammy Dial Gray

Thursday, February 7, 2013

29 Faces Day 7: Impacting Stars

I created this quick portrait in my art journal with pan pastels, the Hemp Flower stencil from Artistcellar and some soft colored pencils. I quoted myself again and added in the text in Photoshop.  I am seriously loving learning how to use the pan pastels.  

Monday, January 28, 2013

Thursday, January 24, 2013

Whirlwind of Dreams and Opportunities

Since the Design Team announcement for Artistcellar, I have been quietly working on my pieces for my weekly contributions to their site.  I will have posts up both on their site and on my blog every Wednesday starting the first week in February.  I am utilizing their amazing collection of exclusive stencils.  Similar to the way I have used them in the background of this piece and each of my posts includes a tutorial.



At the same time, I started teaching Intricate Doodles at The Doris an art gallery in my town.  For the Intricate Doodles class, I am working to create a greater variety of colored pieces to teach my students how to use color in their work.  Both of these projects take time.  An intricate doodle like this one takes me about 15 hours.


I thought that the opportunity to teach and to work for Artistcellar was exciting enough and then The Doris requested that I submit pieces for a gallery show they are doing this weekend and for the month of February at the Florida Community Design Center in the Chamber of Commerce Building.  So, for the first time in my adult life, I have three art pieces in a gallery show.

The show opens with Artwalk this Friday night.  I am in the amazing company of the Artists' in Residence at The Doris and some of the other art teachers like my beautiful friend and Mosaic Artist Limor Ben-Naim Herb.  

As I spoke with Turbado Marabou, one of the incredible Artists In Residence at The Doris, he expressed interest in the Artistcellar stencils.  It was a surreal moment as my online art world and my local art world came together.  I will be sharing with Turbado the amazing line of Artistcellar stencils and I hope to discover his methods for using them in his work.

To say that I am amazed that all of this is happening at once is an understatement.  I am also extremely grateful for each of these opportunities to express myself through my art.  So, while I might be more quiet than normal, I am in my studio working away and bursting with excitement that I am able to participate in the art world both locally and online.  I am immensely grateful for your generous support.